Saturday, November 30, 2019

Drums on Pennsylvania Avenue




The drums of Kennedy’s funeral procession
rolled in somber steps,
The rhythm to a collapsing worldview.

I hear the same rhythm from the broken faucet in the library restroom,
and I tell the librarian about it.
She smiles and exclaims because she is my friend,
but not because she can still see in her mind
the little boy saluting the passing caisson,
and she does not hear the drums.

In my mouth is the taste of glass,
the flavor of half-a-century’s distance
from the collapse of the capital F Future:
the death of the supersonic, spandex,
happy and germ-free future,
In which we could see by the dawn’s early light
the glory of forever.

The taste of glass separates me from the world
where segregation gasped its last gasp,
and all would be well just tomorrow, just tomorrow.
I land on the moon and take that first step
Onto the Mall to protest the war without understanding
that one day my son would stand on foreign soil
fighting for an unjust cause,
and that my heart would be laid on the front steps of the
Washington Post and Morning Edition every day,
until we ran from the bleachers onto the parade ground
to clutch those who had returned to us.

The taste of glass is the taste of that search for pure spirit
that led my soul down a rabbit hole
to emerge in confusion so profound
that I still shudder sometimes when I awaken
to an emotion I do not understand.

And who are you now looking in?
And where have you been?
Were you too bound with Odysseus to the mast when the sirens sang?
Do you still hear the drums?

John Michael Hurt / 2016

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