Thursday, February 22, 2018

Paramitsha (Faerie Tale)

Paramitsha (Faerie Tale)

John Michael Hurt

I wasn’t afraid of the gypsies. I went right up to the wagon and said hello. Over dinner the night before, my father had told my mother and my sister and me that they were there on the west side of the orchard, and that he had told them they could camp there for a week if they wanted, but no more. My mother didn’t like that, and she made that little twisty disapproving face. “Just a week,” My father said flatly. “They ain’t going to hurt nothing in a week.” My ma shrugged and said nothing. I decided I would go over and have a look at them. I had just finished my final year of secondary school and the summer was in full swing. I still had to figure out what I was going to do. I had thought about college. With government help I might be able to afford it. Or there was the army. In the meantime I was drifting in that world of indecision, and there was always a funny feeling in my stomach like when you have had a strange dream and you’re not sure you’re awake yet. Sometimes I would look at myself long and hard in the mirror as if I might see some clue there to who I really was, where I was going; as though there would be a map on my face to guide me to the future.
The wagon was green with flowers painted on it. It had wood panels on the sides and a curved roof with a little metal chimney sticking out. The chimney had a conical pointed cap on it, and a little smoke came from it and was pulled away on the breeze. The wheels were painted red and yellow. A kind of awning was extended out from one side of the wagon and there were chairs and a table and some other things under it on a rug. Two horses were grazing absently under a big oak tree. They looked like really fine horses, big and strong.
As I walked up, a girl about my age came around the corner. She stopped abruptly until she saw that I was smiling and that I was alone. When I said hello, she smiled and said hello, too. Of course, I noticed immediately how pretty she was. Her hair and her eyes were shiny and her skin was smooth and golden.
“My name’s Tolly,” I said, holding out my hand. “Tolly Ransom. This is our farm here.” I gestured around us. For a moment she looked concerned. I think she thought I was going to ask them to leave. Then I realized she might not speak English, but she came forward and shook my hand and said, “My name is Djidjo.”
“I’m pleased to meet you.”
She bowed a little curtsey. “Will you come sit by the vurdon – the wagon - and have some tea?” Of course, I said yes.
About this time, her father came around the wagon. I guess he had heard voices. He wasn’t a big man, but he had a kind of muscularity, a kind of solidness. His dark hair was curly, not straight like Djidjo’s was. He had a black mustache, which, along with his brown face made the smile he wore flash white in the shade of the orchard. He walked over and looked at me curiously for a second then said “I am Veshengo, you are welcome to our camp young raklo.
“Excuse me sir, but my name is Tolly,” I said.
He smiled. “Oh yes, raklo is only the word for a young man. A young man who is not a gypsy. Chey,” he said looking at the girl, “Can you get some tea for us?” She smiled and nodded and went up the wooden steps into the wagon. “I hope everything is well,” he said with a concerned look as we sat on the chairs under the awning. “I spoke to the owner.”
“Yes, that was my father. Everything’s okay. I just came to see you. To be honest, I’ve never seen any gypsies before.”
“Well, we don’t usually say gypsies. We call ourselves Rom or Romany. I am grateful to your father. We are not welcomed by most people. The Rom have a culture that has, well, different ways from most people these days. For instance, today many of us live in cities and live like other city people do, but some of the Rom follow the old ways and may … take things.” He shrugged. “I think, though, most people had a culture like ours many centuries ago. You might say like stealing, but I think many tribes used to take things from other tribes when they could, like horses. Nowadays business people take money away from other people. They charge interest or cheat and this culture says it is okay. So…” He shrugged again and smiled, looking intently at me.
Djidjo came back with the tea and we sat through the warm afternoon that was like a magic spell. The sunlight made stained glass patterns through the orchard leaves, and the breeze was fat and pleasant against my face. The feeling of dreaminess fitted well with the strange unsettled feeling in my stomach, and the tea filtered down like liquid amber into my body. I think they liked me, and I know I thought Djidjo was one of the prettiest girls I had ever seen. We talked about places they had traveled and about the times they had at the big meetings -  the Patshiva. When I left, they asked me to come back tomorrow. Djidjo fluttered her big eyes at me, and Veshengo smiled as he waved me on my way back to the world of chores and expectations.
I had felt the meeting with the gypsies was fine. Somehow, with them I had not felt any push or pull from my own world - a world that was always expecting me to make choices, do things, plan and know. With them, I had no role to play, no promises to keep and I had just been me. It was heady and seductive.
The next day I did my chores and got released from duty in the early afternoon. I cleaned up and headed out toward the orchard. The orchard was on the far side of our farm and it seemed to take much longer to get there than it had the day before. I arrived at the wagon and helloed. For a while there was no response and I had almost turned and headed back, when Djidjo came out of the wagon wiping her hands on her apron and smiling. We sat on the ground underneath one of the apple trees and talked. I asked her what Gypsy life was like, but she wasn’t sure how to answer, as that was all she had ever known, so how can you compare. I asked where her mother was.
“My mother was named Dritta,” she said with a little sad smile. “She was very beautiful.” Looking at Djidjo, I could easily believe it. “She was suddenly … very ill and the hospital wouldn’t take her in, because…you know. We were camped alone, so there was no help from the Kumpania – the family. She, um, passed away in the vurdon. I was twelve years old. My father still grieves very much. He will not take another wife. He says if he did, her ghost would not give him any peace so why bother. It is his little joke.” Djidjo seemed flustered for a minute, but then she smiled and the world was a little warmer.
Vashengo came suddenly through the trees riding one of the horses. He dropped to the ground with a lithe dismount. He looked at me with a very serious look on his face at first, then at Djidjo for a second, then his expression softened. I think he saw that we had not been doing anything improper.
“How are you raklo,” he asked with a wink as he walked over to us.
I stood up. “Fine, sir,” I said as he pulled over a chair and sat with us. “Oh, I brought some things for you.” I pulled out the bag I had brought with some presents of food. It was just some beans and potatoes, a bag of rice and some peaches and jam my mother had canned. Suddenly, I thought the simple offerings might be an insult to them. A huge cloudbank of embarrassment hovered near my heart. But they both smiled and it dissipated.
“Thank you for this kindness,” Vashengo said. “You know, I think you are almost like a Gypsy in your heart.” He jumped up and went into the wagon and came back with a bottle of wine and three glasses and poured one for each of us. “Let us toast the full moon,” he laughed, “it is only a couple of days away,” and sure enough there she was, rising above the orchard trees in the east. Her great gold face beamed down in the summer evening as we talked about the place of a man in the world, of sorrow and of Dritta, of the power of life and death. Djidjo and Vashengo and I, all talking, and sometimes one of them singing part of a song to emphasize a point. After we had finished the bottle, Vashengo leaned so close that his face was almost touching mine.
“Because you have been so kind and your father has been so kind to us, because I think maybe you have the heart of a Rom, I will show you a special thing.” He looked over at Djidjo who suddenly seemed a little nervous. “Wait,” he said with a sweeping gesture of his hand, “And you will see something that will surprise you.”
Now the twilight was upon us. Two lanterns were glowing under the awning by the wagon. I hadn’t noticed anyone light them, but I thought Djidjo had done it while I was transfixed by one of Vashengo’s stories.
Vashengo came out of the wagon with a kind of box covered by a cloth. He set the box on the table and pulled the cover away with a dramatic gesture. The box or case was very elaborate like a gilded birdcage, but more complicated than one would expect a birdcage to be. It was very beautifully decorated and seemed to give off some kind of light. There was a little latch on the door that was arranged so that it couldn’t be reached from inside.
“Come and see,” Vashengo said, gesturing with his hand for me to come closer. I came to the table and bent down to look into the cage. Inside was a tiny person, perfectly shaped, but no more than twelve inches tall. She, for it was very obviously a she, had small diaphanous wings like dragonfly wings. She stood in the cage and once in a while the wings fluttered and she lifted into the air. I saw that the light that emanated from the cage actually came from her. She glowed as from some internal light and she looked almost translucent there in the twilight evening. Most of all, she was beautiful. So tiny and perfect. It broke my heart to look at her because she was so beautiful. Her glowing skin was perfect and flawless. She looked out at me from the cage with a look that was both imploring and sad. Her eyes spoke of a terrible loneliness – imploring but afraid, apprehensive. They spoke of desire and of love, too. I felt that she wanted me to stop the loneliness, as if only I could do this, but was afraid. For a few seconds, her lips moved as though she were trying to talk to me, but couldn’t.
“What is she?” I asked breathlessly.
“She is a faerie.” Vashengo said, looking from the cage to me.
“But …a faerie?”I spluttered. “There are no …”
“What you see with your own eyes, raklo, is true.” He nodded at the faerie.
“Why is she in the cage?” I asked. “Can’t you let her out?”
“Oh, no!” He shook his head. “Faeries, they are very dangerous.”
“Where did she come from?” I asked, still stunned and transfixed by the sight. I couldn’t take my eyes away.
“She was passed to us from family, a Sumadji, a what? You might say an heirloom.”
“But what does she eat?” I asked, suddenly concerned.
“She eats sunlight, like a plant, and of course water,” Djidjo answered. “But in the sunlight she is nearly invisible, like a shimmer in the air. I think it is because she takes in the light. Only in the night can she be seen.”
“What is she saying?” I asked Djidjo.
She shook her head. “I don’t know. It is beyond our hearing”
I kept looking at the faerie. Something in her perfect beauty filled me with desire. Something about her rang in powerful harmony with the strange empty feeling that my life had put into the pit of my stomach, my loins. My breath seemed to stop and I realized that my heart was pounding. The tiny sad, but beautiful, face was burned into my mind.
Sudenly, Vashengo threw the cover back over the cage. I jumped back with a jolt and realized it was later than I had thought. I excused myself, thanking them for their hospitality and started back home. All that night and the next day, I couldn’t get her out of my mind. The next evening I had promised to meet some friends in the village. We went to the usual places, talked and ate at a little shop. Afterwards, we went round to a pub and drank some toasts to the life we knew we would soon be leaving behind. But the whole evening I was restless. Kira was sitting across from me at the little table in the pub.
“Where are you Tolly? You’ve been so quiet all evening. We depend on you for intelligent conversation, you know,” she said with a cross face. “Josh only wants to talk about ale and food.” Josh made a face and threw a pretzel at her.
I didn’t want to tell them about the faerie. I didn’t want to tell anyone. I apologized for being so distant, and said, “I’ve just got a lot on my mind, I guess.” Soon, I excused myself and headed for home. That night I tossed and turned feeling every lump in the bed and hearing every sound, perspiring through long breaks between strange dreams. The round moon, almost full, made a backlight in my room to the phantasms in my head.
The next day I went back to the camp. Vashengo was splitting wood and he paused to greet me as I came up. I helped him stack the wood he was splitting, and we had some cool juice he had brought. We sat under the awning and I told him about my confusion about the future. Talking to him about all this wasn’t like talking to my family or friends, it was more like thinking out loud. I asked him what Djidjo would do in the future. He shrugged.
“We don’t have as many choices as you,” he said wistfully. “And I am a man. Her mother would be better to help her plan a life. A man, even a father, can’t advise a young woman very well about things.” He looked disconsolate for a moment, and I thought he might weep, but he recovered and looked at me in the strangest way. Just then, Djidjo appeared from across the way with a two big pails of water hanging on a staff across her shoulders. Of course, I ran right away to help her, and despite my good intentions I caused her to spill a lot of the water from one of the pails. This caused an exasperated expression from Djidjo, which caused a contrite expression from me, which in turn caused laughter from Vashengo. In the end we were all laughing.
Vashengo asked me to stay for supper and since I had left a note saying I might not be home until late, I accepted. Vashengo did the cooking, with Djidjo helping. A couple of times over the dinner of lamb and vegetables, I caught Djidjo looking at me in a solemn wistful way, but she smiled and I smiled back.
After supper, we drank some sweet but fiery wine that Vashengo said was Hungarian. Then I asked them the question that had been in my heart for two days. “Vashengo, can I see the faerie again.”
He stopped and sat back in his chair. “Listen to me Tolly, very carefully,” he said with look in his eyes that demanded it. “She is dangerous, I have told you. If you want to see her once more, I will let you, but you must not ask again. No more can I say, and you have to accept it.” I nodded. He looked at Djidjo. She looked upset and a little afraid. She shook her head slightly, but Vashengo only gave a little shrug. “Very well,” he said and he rose and went into the wagon.
He returned with the cage and looked at Djidjo for a few seconds before he pulled off the cover and there she was.
The sight of the faerie was like a knife thrust into my heart, but I welcomed the pain because it felt good to hurt like this. I lowered myself to the level of the faerie and gazed at her with tears forming in my eyes. Her beauty reached out like a beam and hit me full in the middle of my being. My hands moved to the cage and her features burned into my mind. A desire that didn’t make sense swept me like a tidal wave. I felt Vashengo reach his powerful arm across and hold me back from the cage. Djidjo threw the cover back over it, and I collapsed back, the connection broken.
“You must not see her any more,” Vashengo said with a lead gray voice. He looked at me cautiously as if to see what I would do. I simply sat back in my chair and nodded. He seemed relieved. We sat in silence for a few minutes and drank the rest of the wine. Finally I pushed myself to my feet and after thanking them for the dinner, I walked home.
The next day I tried to act normal and to put the Romany, and everything that had happened out of my mind, and for a time I was successful. The chores, lunch with friends in the village, a stop at the library and the school and dinner with my family flowed together as a seamless whole. I went to bed thinking about colleges. A couple of hours later I was wide awake and sitting on the edge of my bed. I put on my clothes as though it was morning, as though in a trance. I went out of the cottage and made my way across the fields, silver in the light of the moon that was now completely full at zenith in the sky above me, so bright that most of the stars weren’t visible. The fields smelt of the earth and the grass. The orchard wafted the perfume of its blossoms down on me as I moved quietly between the trees. I reached the wagon and saw that Djidjo and Vashengo were sleeping on cots under the awning.
I crept quietly up to the door and the chirping of the crickets covered the sound of the creaking steps.  Inside, by the moonlight that followed me through the door, I located the cage and set it out on the table in the middle of the wagon. I took two long deep breaths and pulled the cover off. My head rocked back with the force of her beauty as the glow from the faerie filled the room. I was transfixed. The sounds of the night swelled and blended together and rose into a maelstrom that swirled about me blocking out everything except me and the faerie. My hand reached out as if with a mind of its own and opened the twist lock in the door. I reached inside and the faerie backed against the other side of the cage. My hand stopped, and then reached out and touched her.
For an eternal moment I cried out with a sound of a million heartaches that reached to the full moon and back. Light filled me and my arms were flung wide. In my mouth I tasted blood, earth, nectar, time, moonlight. I expanded balloon-like and then suddenly I collapsed, rushing down a tunnel of night like the only burning lamp in eternity. I felt a panic, not in my body, but in my very soul.
I lay on the floor of the cage, thinking no thought. After a time, I struggled to my feet. There was a buzzing and I rose a little off the floor. Dazed, I looked out through the bars. The world looked different, as though it were made of quicksilver and clouds, but I could see Djidjo and Vashengo tumbling through the door almost as if in slow motion. They came across the room and Vashengo slammed the cage door closed and locked it. Then they were picking someone up from the floor. For a minute, I thought it was going to be me, but they were raising a woman with dark straight hair from the floor, supporting her under her arms. Then they were all three crying and hugging. Vashengo repeating, “Dritta, Dritta, Dritta,” and Djidjo crying “Daja! Daja!”
And then I understood it all. When Djidjo and Vashengo finally came to the cage, their eyes red and swollen from crying, and their hands still holding the hands of the beautiful woman sitting on the stool behind them. I knew what they had done. I felt a strange calm, listening to their tearful apologies. I tried to speak - to tell them that I understood, but they couldn’t hear the voice that sounded even to me like the wind in a dream. Vashengo went out with Dritta, and Djidjo stood by the cage crying and talking to me. “I really like you Tolly,” she said, tears running down her face. “I didn’t want this, but it was you or my mother. What else could I do? We’ll find someone, I promise, and set you free again. Then it might even be you and me. Soon, I promise. I promise.”

Tonight I could smell the sweet dusty incense of the full moon outside and I knew you would be back. Just like I came back. Only the wise and strong don’t return. And now you’re here with your face pressed close to the cage. And I know what you’re feeling. And though I know you can’t hear my voice, I have been telling you my story. You see my lips moving and I am telling you all this, but you can’t hear me. Your beautiful young girl’s face is pressed so close to the cage. Can I stop you from reaching inside to touch me? Do I really want to? 

Utah Tryptich

Utah Tryptich

Utah 1
This is the land where stones fall from the sky,
where the rainbows are made of earth,
where water is gold,
and you can drown in undrinkable oceans.
This is the land where miles are time
and the song of one bird can be heard,
the land of freezing heat.
This land is like the long, cool drink
to the parched, dry throat
from a poisoned well.
This is the land where God pauses to look over his shoulder,
where the hand is open, but empty.
This is the land where red and blue live inside the mind,
where brown is taste, where green is dream
and safety is distance.
Our arrival in this land is an act of hubris,
and the people reach out for cobwebs
left in the corners of ancient houses
to make them feel safe in this land
which must always remain
a friendly stranger
suspected of harboring
a dark secret.

Utah 2
A distant thunderstorm
makes promises
which it will not keep,
and no one is fooled.
The rain falls on Zion,
crying tears on the upturned faces of thirsty stones,
sculpting the parched sand.
Unlucky,
this water will never reach the ocean,
but trickle down to the sea of tears
at the heart of this land,
or dwindle and fail
in attempted escape,
stopped cold by the ghosts of thirsty machines.
But who can doubt that an ocean exists somewhere,
that these drops will someday swell its tide,
and so we must believe in the reincarnation of the water,
in the transubstantiation of the spirit of water,
so that the wetness of upturned faces
and the taste of tears
will have meaning
in this land.

Utah 3

space and light unending

breathe in dust
breathe out religion
breathe in salt
breathe out concrete
breathe in stones
breathe out certainty
breathe in desperation
breathe out iron
breathe in fever
breathe out visions

the hand is raised  to the rainless sky
to the empty sky
the hand shades the searching eye

the bird sings deep in the valley
where the water hides
the snake sheds its skin in secret
and waits for the cool night

the coyote sitting outside the campfire’s circle of light
raises its muzzle and sniffs the smell
of paper money and felt,
of the drops of oil

caught in the blinding lights
the coyote hears the sound of the engine
and turns for a last look at the redrock

breathe in dust
breathe out fate
breathe in salt
breathe out histories
breathe in stones
breathe out reservations
breathe in fever
breathe out visions


- John Michael Hurt



Shoes

Shoes

My father died and joined my mother
in the place that is just beyond
whatever wall I am looking at the moment.
Years spent attached to a machine
while the vampire of modern medicine
sucked him dry of everything
he had spent his life struggling for.
My sister popped the balloon of their now-empty home
and let the memories fly out with a whoosh,
like dry leaves from the apple orchard
and butterflies from the bookcase,
like an electric train on a track
that didn’t circle back,
but just ran on out of sight.
The lawn mower woke up
chugged off looking for grass
that was two inches too long.
My mother’s attic of compressed memory,
frozen on dry cardboard, blew out
in piles of images of a family that would no longer
travel down blue highways
to Cherokee motels with rubber tomahawks.
Dolls whose eyes were now blind
stumbled off on stiff legs, arm in arm with
little boys in cowboy suits and paratrooper boots.
In the end, all that was left of him for me
was three pairs of strong shoes –
shoes for holding your own,
shoes for bracing yourself against the onslaught of life.
shoes for standing your ground.
They were not my shoes.
My shoes were designed for going,
for speed, for getting from a place
I no longer wanted to be to the greener grass of Eden,
to the greener glass of the Emerald City,
so that I could confront Oz the Terrible and Mighty
and get my wish granted,
but I polished those shoes
like I did when I was a boy trying to please him,
and then I put them on to see how they felt,

and now I can’t get them off again.

Fifty-Dollar-Car

Fifty-Dollar-Car
John Michel Hurt

It all started at band rehearsal. In nineteen-seventy, we were college students living ‘communally’ in a house near the university. Communally meant that after tuition and rent we shared selflessly the nothing we had left. Naturally, we had a band. We played all original music and we were, in fact, very good. Friends and acquaintances would regularly drop by to listen to our band rehearsals. Sometimes the police would drop by to forward little messages from the rest of the people on the block about our music, especially after eleven pm, and we would reduce the volume some. (We didn’t reduce it enough I guess, since I respond to everything these days with “What?” and a blank look.) The practice room was a large bedroom with blankets on the walls to absorb some of the sound. Sometimes, characters that we didn’t know would sort of appear out of nowhere, and suddenly be discovered standing next to the trap set or by the Hammond B3, looking like they were furniture that had always been there and which I had just never noticed. Sometimes they would even have kind of a dusty appearance like the rest of our furniture. I think when I first saw Mike, he somewhere was over by Larry’s guitar amp and was only a little dusty.
          He introduced himself to me after the rehearsal and since everyone called me Michael instead of Mike, there wasn’t too much confusion. Actually, there was another guy named Michael that was part of the gang, but we called him Steven. Mike was a short, slender guy with brown hair that he wore in the sort of “I’m letting it grow out”, 1965 Beatles look that was common in those days. Mike had one strange feature. His eyes were very squinty. They were almost closed, but you could see that they were made like that. I asked him if he was partly of Asian descent, but he said no, he was just squinty. Mike was a musician, too, and he attended a couple of more practices. After the last one, he got everybody’s attention in the practice room and asked if any of us wanted to buy a car.
          Of course, we all wanted to buy a car. Who doesn’t want to buy a car? The problem, of course, was in order to buy a car, you had to have that ‘special something’. The special something was money. “How much?” was what we all said first. Not “What kind of car?” or “How old is it?” or “What condition is it in?”
“Fifty dollars,” he said matter-of-factly, as if this were the going rate for cars.
We looked at one another for maybe three whole seconds—anyhow just long enough to let stupidity settle in real good and make itself at home—and I said, “I’ve got fifty dollars.”
Mike had the car. It was already in my driveway. Mike took the fifty dollars, promised to bring the title by later, and rode off into the sunset with a friend. Of course, that was the last time I ever saw him.
We looked the car over. It had trouble written all over it. Really. It was a 1959 Chevrolet Impala. It had blue paint that had not aged gracefully so that it had a matte finish and in some places the primer showed through. There must have been a lot of chrome mines in operation back then, because cars like this one had massive bumpers that would really bump. Unlike today, in those days, any car that was eleven years old was pretty much shot. If this one had just been a little more shot, it could have saved a lot of trouble.
There was a hole in the floorboard that we didn’t see until later because of the carpet.  It let in so much exhaust that you could only drive the car with the windows open, and even then you had to pull over every so often and clear your head. Once or twice it caught on fire. This could be very problematical in winter when combined with the fact that the defroster didn’t work either. The muffler was only what one might generously call “vestigial.” It was fortunate that the huge V-8 motor was so powerful that you could ride around in idle, because when you hit the gas, it sounded like Armageddon. The lights weren’t reliable and we soon learned to coast it to a halt whenever possible because the brakes were vestigial, too. It had a three speed-transmission and the clutch was fine. I don’t know if they even make three speed transmissions anymore, much less cars with shifters on the column. In other words, all the parts that could get you into trouble worked really well, and all the parts that cold keep you out of trouble were dysfunctional. Ah, hindsight, you grinning bastard, you knew, didn’t you?
We drove the car around with a license plate in the back window that I had gotten off of a Pontiac that Tommy had sold, and which still had the right year on it. I couldn’t find Mike to get the title, so we had no registration. Insurance? Hah, don’t make me laugh. Insurance is for sissies. In Tennessee, it wasn’t even required for registration then. You have to understand that in small town Tennessee back then, if the cops went around trying to catch people for registration violations, the courts would have been packed shoulder to shoulder with guys named Ruben and Shorty, Delmar and Buford. I’ll bet that a third of the automobiles in Tennessee at that time weren’t properly registered. We drove the car around on various missions. It always worked. It always used lots of gas, but that only cost thirty-five cents a gallon. When you hit the accelerator, it didn’t accelerate, it flushed. You could literally hear the gasoline being sucked out of the tank. We cruised out into the country, and down to the Laundromat, over to the grocery store. Once we got word that Jim was being sought by the law for armed robbery. We cruised the car out to George’s house, feeling like outlaws, and hid out until we found out it was a case of mistaken identity. So, the car had a history, it was our Argo. It carried us on our odysseys to the land of the lotus-eaters and was to carry us eventually to the land of the Cyclopes as well.
Now I want you to get the picture of one particular evening. Here we are. A bunch of hippie types sitting around on an evening. Strangely, no one had imbibed any illegal intoxicants. You also have to understand that this was you might call a costume-rich environment. There were around ten people over at the house and among them were no less than three fringed ponchos, four pairs of sandals made from old tires, ten pairs of patched and bellbottomed jeans, twelve strands of love beads, three peace medallions (one in stained glass), seven heads of long hair and two floppy hats.
These people were sitting around deciding what to do with the rest of the evening—it was only eleven thirty—and the group in its wisdom decided that we should all go to the cinema to see the midnight showing of the movie “Gone With the Wind.” Wow, what a great idea! To this day, I have the feeling that midnight movies are always some kind of trap to lure out the naïve and unsuspecting.
We jumped into the two cars present, one was a nice Plymouth owned by one of the kids’ parents into which six of us piled, and the other was, of course, the blue monster.  Four of us climbed into that. You’ve seen “Gone with the Wind,” so we’ll leave it at that. After we learned once again that we didn’t know nuthin’ bout birthin’ no babies and that we no longer gave a damn about that bitch Scarlett, we loaded into the cars and started for home. I was driving the blue monster with Jim and Dickey in the back seat and female friend Shiz riding shotgun. The others pulled out ahead of us in the Plymouth.
Trouble wasn’t long in coming. In small town Tennessee at that time there were only two kinds of people out at two am: us and the police.
I saw him as we passed the used car lot at Memorial and Broad. He saw us, too. I immediately shifted into invisibility mode. This consisted of looking straight ahead with a blank expression, letting off of the gas so Armageddon would quiet down, and telling everyone else in the car to be quiet and not look at the cop. This is what I call the rabbit technique. It worked about as well for me as it usually does for the rabbit. At least the hawk doesn’t have to work so hard that way.
The highway patrol car eased out of the car lot where he had been hiding, like a crocodile on the Zambezi slides into the water. He eased up behind us, then he pulled up alongside. I tried to whistle and look out of the corner of my left eye to see what he would do. He pulled up in front of us and ran there for a while, then he dropped back to the side and then behind us again. Why is it that no matter how much you expect it, a siren and lights going off right behind you make you levitate?  As he pulled us over on the upgrade of the hill that ran into the center of town, I saw our other car pull over at the top of the hill.
He came up to the window with a flashlight. Man! This was the biggest policeman I had ever seen! He asked me for my license and when I felt in my pocket, I remembered that Dickey had paid for my movie ticket because I had left my wallet at home.
“Uh, officer,” I stammered, “I don’t have it with me right now. But I do have a license. If you want we can drive on over to my house which is very close and I can get it.”
He looked at me funny. I could swear now that his name tag said Polyphemus. “Come back here and get in the cruiser,” he ordered. So, I went back to the patrol car and got into the front seat on the passenger side. The patrolman pulled out a pad, which I recognized as a pad of tickets. Tickets the police give out now are like an order form with lots of little blanks to write some of the bad stuff in and boxes to check other bad stuff. Back then ticket books looked like the order book the waitress uses at the local diner, only a little bigger.
 “No driver’s license,” he mumbled, half to himself, as he wrote, then, “What is your name sir?” I told him. He wrote it down.
“That’s not the correct license plate for that car is it, sir?” Somehow, policemen can say “sir” in a special way that makes it sound like they are saying “moron.” Maybe it’s part of their training, I don’t know. He wrote in the ticket book.
 “No, sir. It came off of a ’62 Pontiac.”
“And why is that, sir?”
“I haven’t got the title yet.” More writing.
“Muffler shot?”
“Yes, sir.” I guess I thought that if I volunteered information, he would think I was on his side, and that together we would punish the fifty-dollar car for being so bad. Another ticket.
“Do you realize that your brake lights are not working, sir?”
“Um, yes sir.” He wrote on.
The patrolman picked up the microphone of the police radio. “Base, this is car thirty-four, come in please. Repeat, base, this is car thirty-four, come in.”
Now, we had been getting along pretty well so far, the policeman and I, but somehow that changed when the station answered. The voice that came over the crackly speaker sounded for all the world like Gomer Pyle. I swear.
“Cawur thartyfower, cawur thartyfower, this here’s ba-is. Cum back.”
The trooper frowned. I think he was rather well educated and didn’t like having to talk to a yahoo in front of a college student. I think it embarrassed him. I could see his mood change. Nonetheless, he talked to the Gomer guy.
“I need you to run a thirty-three-twenty-eight on a blue – what year car is this…”
“Fifty-nine.”
“Fifty-nine Chevrolet.” And to me: “Where are you from?” I gave him the name of my home town, Hendersonville.
“Call up to Hendersonville and get a character check on a John Michael Hurt.”
“Yeas sar, I’ll git right on it. Bais ayout!” I thought the trooper hung up the microphone with a little more force than was needed. I asked him what a thirty-three-twenty-eight was.
 “Stolen car check. You stay right here. I’m going to impound this vehicle.” He said with a cautionary look as he opened the door. He strode up to the fifty-dollar-car and stuck his head in the open driver’s side window. I tried to think who would want to steal a car like this.
Shiz told me later what happened. “Who in here has your driver’s license with you?” he demanded looking around at my three passengers. The two guys shook their heads. Shiz said, “I do.”
“I’m going to impound this car,” he said. “Get over here under the wheel and follow me.”
“But..” Shiz began. The other two looked at each other and whistled.
“No buts, get over here.”
“But..,” She began again. The frown on his face shut her up, and she slid across the wide front seat and got under the wheel of the fifty-dollar-car. Now the two passengers in the back, Jim and Dickey, and I in the police car, knew something the officer didn’t know yet. This was that we had been trying to teach Shiz to drive a manual transmission car for weeks, and the results had been really, really discouraging. Two of us had mild whiplash from being jerked around the big university parking lot, which now had little tire marks on a good portion of its surface from the sudden clutch-popping she had done. From the police car, I saw Shiz get under the wheel.
The officer got back in the patrol car, which of course was running all this time.
“But..” I began, and was greeted with a look that said, “Just how much trouble do you want to be in?” My mouth snapped shut. He looked down to continue his ticket-writing marathon. He was working on ticket number six. I looked up apprehensively to see smoke bellow out of the fifty-dollar-car, some from the tailpipe and some from underneath somewhere, and I gulped as it began to roll gently down the hill toward us, its horizontal chrome-covered tailfins looking like silver eyebrows over the glowing red eyes of some angry tiki god. I had time to realize there was no point in panicking – I was already a dead man and it would be a waste of the energy I would need for crying and begging later. But I felt I should say something.
“Officer,” I began and he looked sideways at me. “She’s, um, going to hit you.”
The officer looked up in sudden comprehension and the state police cruiser jerked like an animal that been shot as the fifty-dollar-car plowed rear first into its front end. Police cars back then didn’t have the nifty push bars on the front they do now and there was a loud crash followed by the tinkling of glass and chrome as the trooper fumbled in haste for the shift lever. He was too late. I don’t know why I said it, but I did.
“Officer, she’s going to hit you again.”
There was another lurch and crash and more glass and plastic and chrome rained onto the pavement. The frantic officer got the cruiser into reverse and floored it just before the fifty-dollar-car jumped at him again, and we roared thirty yards backwards down the highway shoulder. I don’t know what his expression was right then because I couldn’t bring myself to look at his face. I didn’t know what would happen if I did. He shoved the shift lever of the patrol car into drive and roared across the road to the other side and stopped, panting. Shiz lurched and squealed the car into drive and began the big U-turn that would bring her across the highway and behind the police car so that he could take me in to the station. The other six friends, who had been watching from the top of the hill all this time, started their car and began to follow us.
Right then the radio crackled to life.
“Cawur thartyfore, cawur thartyfore, this here’s ba-is. Cum back.” The trooper snatched the microphone from the radio so hard that he almost yanked the curly cord off.
“What?” he yelled. “I mean, this is thirty-four, go ahead.” The fifty-dollar-car lurched and puffed across the road. I watched it apprehensively and eyed the door handle. I made up my mind that if she hit him again I would make a run for it.
“Weyull, I called up thar ta Hendersonville and tawked to th’ Sheriff. He says he knows ‘im and knows his fambly. Seems like they’re good folks and he ain’t been in no trouble or nuthin’ up thar.”
“Okay, okay.” This impatiently.
“An’ there ain’t no stolen kawr report on no blue fifty-nine Chevrolet.”
“Thank you base. Thirty-four out.” There was a sound that I can only think was the officer’s teeth gritting loudly. He put the patrol car into drive and we headed off toward the State Trooper Station over on Lytle Street with the fifty-dollar car lurching along behind. I looked back as it passed under a street light. Was it really smirking or was that just an optical illusion?
Now I have to tell you a little about me, or actually the me of that time, because now I am five-eleven and weigh one-ninety. Then, I was six feet tall and weighed one hundred and twenty-three pounds. With my long brown hair bushed out, I looked sort of like a Q-Tip with bellbottoms. I think scrawny is a word that could come to mind. I was a late bloomer I guess, but we didn’t really eat all that much, and it seemed like every religious fad I got into required fasting. So, when the six-foot-three, two hundred and fifty pound state trooper wearing a smokey bear hat and a Sam Browne belt with a huge pistol hanging from it led me by the arm into the police station, it had to look pretty odd.
Inside the station the other officers, who were all big too, froze at the sight. Uh oh, more Cyclopes! Two with coffee cups halfway to their mouths. They stared for a second and then they all began to laugh.
“What’cha got ya there Bob, a murderer?” one croaked as another choked from laughing with a bite of sandwich or something in his mouth. There was that teeth gritting sound again and Bob turned red, his eyes squinting closed kind of like Mike’s. My three passengers came in to the station on tiptoe, using the invisible rabbit technique I had taught them. The officer shoved me into his office.
Then it happened. All the other friends from the other car, who could have just gone home, came pouring into the station and suddenly there was the police station full of love beads and peace medallions and ponchos and floppy hats. My friends had come in with a combative demeanor. It was certainly true that all of us had been on the front line in civil rights protests and anti-Vietnam War rallies. We had faced rock-throwers and baton wielding riot police, smelled tear gas, but somehow, I had counted on discretion rather than valor. They weren’t going to let me go without a fight.
“WHERE’S OUR FRIEND?” they demanded. “WHAT HAVE YOU DONE WITH HIM?” It seemed like they were all over the police station. I looked on in horror. The other officers looked at each other, their eyebrows shooting up to new heights, and back at the flood of hippies now threatening to take over their inner sanctum. Their eyes nearly popped out. Most of them had never seen any hippie types up close, but all of them had stereotypes in mind, and all the stereotypes were very, very bad. The policemen reached for their holsters and began unsnapping the straps. A newspaper headline flashed through my head: Massacre on Lytle Street, Foolish Hippies Slain in Bloody Incident!
I jumped up and came into the station with my hands raised. “Wait!” I cried and everybody stopped, eyes on me.
“I’m okay, everything’s okay. Thanks guys, but everything’s okay.” Somehow the massacre was averted. The doubting throng began to filter out, throwing wary looks over their shoulders, and the cops eased back puffing into their seats. I prepared myself to be thrown into the dungeon with the criminally insane guy. I figured they kept one especially for guys like me who had messed up a new cruiser. But it was not to be!
The trooper turned out to be reasonable man. Or maybe he was just a tired man now. At least he was able to reason out that I didn’t have the five hundred dollars for the bail, so he called the dean of students at the university, who was soooo thrilled to be waked up at three in the morning to make a recognizance bond for me. In a special interview later, he told me exactly how glad he had been, and just how much he looked forward to doing it again sometime.
Later I had to go to court. I had to show the judge that I really had a driver’s license, and I had to pay a couple of the tickets, because the state trooper didn’t show up - I don’t think he wanted to stand in court and have to explain about the damage to the cruiser - so it wasn’t as bad as it could have been. They told me that I would have to get the registration corrected and go down to the impoundment lot to get the fifty-dollar-car, but somehow, I didn’t feel motivated any more, and strangely enough, none of my friends ever mentioned the fifty-dollar-car again.
I’m sorry, but this story doesn’t have such a happy ending. One day about a month later, I ran into a friend of Mike’s. He told me that Mike didn’t bring me the title because he didn’t have it; he had actually stolen the car from his uncle. All the blood in my veins turned to icewater for a moment as I realized I might have gone to prison, or at least to the workhouse for grand theft auto, or actually not-so-grand theft auto.
I got my comeuppance about my ire over the Fifty-Dollar can when I ran into a mutual friend. I was angry and thought I wanted revenge. “Why did he do that?” I cried, outraged. “I’m going to kill that little worm when I find him!”
“He did it because he was addicted to heroin,” the friend replied. “And you’re too late. He overdosed. He died last week.”
As I walked away in the bright spring air, my anger melted into sadness and pity.